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<title>mbek theDirector&#x27;s multiply ...</title>
<link>http://qubrick.multiply.com/</link>
<description>hello all of you those fuckin&#x27; multipler... cheers.. :-)</description>
<pubDate>Fri, 27 Jun 2008 22:01:28 -0000</pubDate>
<lastBuildDate>Fri, 27 Jun 2008 21:00:17 -0000</lastBuildDate>

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<title>mbek theDirector&#x27;s multiply ...</title>
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<link>http://qubrick.multiply.com</link>
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<item>
<title>Sulmade_Hilang</title>
<description>yup.. ini klip dari Soulmade single pertamanya &#x27;Hilang&#x27;...
as long to see... asik juga shot bareng mereka.. yah secara mereka juga banyak masukan ide.. :) unit shoting gw asik2 en tambah gilaaaa aj.. hahahaha...

thx buat Rendy and Ambar untuk supportingnya selama shot.. juga kawan-kawan dari soulmade,.. dan untuk supporting talent modelnya.. :) ... u&#x27;re looks good on it.. :)

untuk soulmade .. sukses ya !!!!... keep on eksist!!!!

Soulmade - Hilang

Big Daddy Production
Produced by Kemal Harro &#x26; Dwi Ilalang
Assistant producer : Lastri H
Make up &#x26; wardrobe : Lita, Djaga, Yuni
Location manager : Ba&#x27;i
Art Director : i&#x27;in
Key Lighting : Fiqri
DOP : Farro
Directed by Mbek-X
assistant Director : Vera
Unit : Alam, Cecep, Minto, iday, fahmi, dani, danjenk, and all the others.. thx buat angkat pianonya.. haehehehe :)

... cheers.. :)</description>
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<pubDate>Fri, 27 Jun 2008 21:00:17 -0000</pubDate>
</item>

<item>
<title>om Mani Padme hum</title>
<description>.. om mani padme</description>
<guid isPermaLink="true">http://qubrick.multiply.com/music/item/31/om_Mani_Padme_hum</guid>
<pubDate>Sun, 15 Jun 2008 09:33:48 -0000</pubDate>
</item>

<item>
<title>Salute to the Actor..</title>
<description>Salute untuk pendalaman karakter yang sangat dalam.. sampai anda harus meninggal karena tidak bisa keluar dari karakter anda..</description>
<guid isPermaLink="true">http://qubrick.multiply.com/photos/album/9/Salute_to_the_Actor..</guid>
<pubDate>Tue, 10 Jun 2008 11:08:31 -0000</pubDate>
</item>

<item>
<title>WANTED (2008)</title>
<description>Wanted ( 2008 )

Director: Timur Bekmambetov
Writers (WGA): Michael Brandt (screenplay) &#x26; Derek Haas (screenplay) 

Cast :
James McAvoy	 ... 	Wesley Gibson
Morgan Freeman	... 	Sloan
Angelina Jolie	... 	Fox
Terence Stamp	... 	Pekwarsky
Thomas Kretschmann	... 	Cross
Common	... 	Gunsmith
Kristen Hager	... 	Cathy

Camera
Panaflex Cameras and Lenses by Panavision
Red One Camera (effects shots and some others)

Film negative format (mm/video inches)
35 mm (Kodak Vision2 500T 5218)
4K Redcode RAW

Printed film format
35 mm

Aspect ratio
2.35 : 1

Release Date:
27 June 2008 (USA)
Genre:
Action | Thriller

---------------------------

Sinopsis:

Wesley Gibson, pemuda yang hidupnya benar benar mengecewakan menurut dirinya, dipecat, dicuekin ceweknya.. yah lengkaplah penderitaan, namun siapa sangka dia mempunyai takdir yang mengejutkan, sampai dia bertemu cewek seksi dan cadas, Fox yang justru membawa dia dalam petualangan yang tidak akan terlupakan. Organisas...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/reviews/item/7</guid>
<pubDate>Tue, 10 Jun 2008 11:01:57 -0000</pubDate>
</item>

<item>
<title>Apologize - Rock Project by Ghostwood Project</title>
<description>Apologize - Rock Project by Ghostwood Project

Nih lagu keren bgt ketika di mixdown ama Ghostwood Project, ...lagu Apologize yang dibawain oneRepublic dan dipermanis ama Timbaland ini ternyata lebih masuk di bikin versi gini.. wah genius sih idenya dengan ketukan dan feel beat yang seperti ini.

mm, apa mungkin waktu bikin lagu ini memang untuk versi rock dulunya,... karena campur tangan Timbaland jadi sedikit down gitu yah... ehehehe... yah namanya juga menerka..

nih video nya dan lagu versi Rocknya.. :)

Apologize (Rock Remix) - OneRepublic w/ Ghostwood Project


cheers..</description>
<guid isPermaLink="true">http://qubrick.multiply.com/reviews/item/6</guid>
<pubDate>Wed, 4 Jun 2008 20:00:54 -0000</pubDate>
</item>

<item>
<title>CLOVERFIELD - The Untitled J.J Abram Project -</title>
<description>Cloverfield (2008)
-Untitled J.J Abrams Project-

Producer : J.J Abrams
Director  : Matt Reeves
writer  : Drew Goddard

cast:
Lizzy Caplan ...  Marlena 
Jessica Lucas ...  Lily 
T.J. Miller ...  Hud 
Michael Stahl-David ...  Rob Hawkins 
Mike Vogel ...  Jason Hawkins 
Odette Yustman ...  Beth McIntyre 

---------------------------------------------
Camera
Panasonic AG-HSC1U
Panasonic AG-HVX200
Sony CineAlta F23
Thomson VIPER FilmStream Camera

Laboratory
DeLuxe, USA

Film length (metres)
2313 m (Sweden)

Film negative format (mm/video inches)
Video (HDTV)

Cinematographic process
Digital Intermediate (master format)
Filmstream 4:4:4 (source format)
HDCAM SR (source format)

Printed film format
35 mm (spherical) (Kodak)

Aspect ratio
1.85 : 1
---------------------------------------------------------

Snopsis:
petualangan Rob, hud, malena, lily dan jason juga beth dalam sebuah usaha untuk menyelamatkan diri terhadap bencana yang terjadi di kota...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/reviews/item/5</guid>
<pubDate>Wed, 28 May 2008 10:33:27 -0000</pubDate>
</item>

<item>
<title>Kings_Of_Convenience</title>
<description>ini lagu2 KOC.. there is &#x22;toxic girl&#x22; wanted there.hehehe here you are dear...
also the video from them :
I&#x27;D RATHER DANCE WITH YOU


MISREAD :


CAYMAN ISLANDS:


FAILURE:


TOXIC GIRL:


enjoy there.. and here the mp3 ,, :)</description>
<guid isPermaLink="true">http://qubrick.multiply.com/music/item/23/Kings_Of_Convenience</guid>
<pubDate>Wed, 28 May 2008 09:23:09 -0000</pubDate>
</item>

<item>
<title>Warkop DKI</title>
<description>yup tuh lagu2 yang ok nih dari anak bangsa.. :) hehehehe
ini ada short clipnya NYANYIAN KODE

</description>
<guid isPermaLink="true">http://qubrick.multiply.com/music/item/19/Warkop_DKI</guid>
<pubDate>Wed, 28 May 2008 08:38:34 -0000</pubDate>
</item>

<item>
<title>OLIF_cintailahAku - video Klip-</title>
<description>From The directors cut...

:) nice to work with Olif band.. :) mereka nurut n professional,... even gw kadang2 di lokasi shot suka doin&#x27; something fool ... hehehe 

video klip Olif kita bikin dengan konsep simple dan bercerita... thanks juga to Donita n Framelee.. also.. mbak yantiiii....lama ga ketemu loe...!

ok OLIF... veron, gery, ade, n jeje  juga inudz..sukses ya !!!!!




team:
ProductionOfficer : Lastri n Tyaz
Location Manager : Ba&#x27;i
make-up by : yuni
Properties &#x26; Wardrobe : Lita &#x27;n cipot
VideoEditor : Medyaz
sketchAnimation by Ferry llalang
stillPhoto : A.F Romano
DOP : Regina
ArtDirector : i&#x27;in
AssistantDirector : Nandra YS
Directed by Mbek-X

-BigDaddy</description>
<guid isPermaLink="true">http://qubrick.multiply.com/video/item/11/OLIF_cintailahAku_-_video_Klip-</guid>
<pubDate>Wed, 27 Feb 2008 15:13:25 -0000</pubDate>
</item>

<item>
<title>Tahun Baru ????</title>
<description>&#x3C;P&#x3E;&#x3C;A href=&#x22;http://qubrick.multiply.com/photos/hi-res/upload/R3u9aAoKCsIAAB4in2A1&#x22;&#x3E;&#x3C;/A&#x3E;&#x3C;A href=&#x22;http://qubrick.multiply.com/photos/hi-res/upload/R3u9aAoKCsIAAB4in2A1&#x22;&#x3E;&#x3C;/A&#x3E;&#x3C;A href=&#x22;http://qubrick.multiply.com/photos/hi-res/upload/R3u9aAoKCsIAAB4in2A1&#x22;&#x3E;&#x3C;IMG class=alignleft height=180 src=&#x22;http://images.qubrick.multiply.com/image/1/photos/upload/300x300/R3u9aAoKCsIAAB4in2A1/tahunBaru.jpg?et=oXBJwBhAXIasOyQxcVQ4zw&#x26;amp;nmid=&#x22; width=271 border=0&#x3E;&#x3C;/A&#x3E;... ya ya ya,... sudah tahun baru 2008, dan semuanya tetap terfokus pada perayaan...:) hari itu senin, 31 desember 2007 gw pulang kantor sekitar jam 5an sore.. yah cuek sih gw, lagian jam kantor untuk gw ga tbatas ini,... yup, after beresin reeling untuk film Hantu ..gw ama temen gw cabut balik ke kosan.. tapi gila, baru jam 5 sore, kawasan monas dah dipenuhi orang2 yang pasti memusatkan kegiatannya untuk pesta perayaan pergantian tahun.. gw di halte busway monas tertegun sambil bertanya ama diri gw.. wow, begitu banyak orang2 datang ke monas untuk acara pergantian tahun,... berbagai macam gaya dan tampang orang pada sore itu sedikit membuatku tergelitik.. :)&#x26;nbsp; wah ternyata sangat besar animo orang untuk melihat dan menikmati pesta kembang api... tepat satu jam sebelum gw pulang, sambil nunggu rendering tiap reel, gw sempetin keluar dari ruang editing untuk liat berita di TV, dan begitu kaget gw melihat banyaknya insert berita hampir semua tv memberitakan berita banjir yang melanda...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/41/Tahun_Baru_</guid>
<pubDate>Wed, 2 Jan 2008 16:43:20 -0000</pubDate>
</item>

<item>
<title>Trailer_Hantu Jembatan Ancol</title>
<description>...) hmm... film kerjaan sih.. but lumayan kok...
film ke5 dari MD Pictures, disutradarai oleh Ari Azis, dibitangi oleh Ben Joshua, Nia ramadhani, dan nadila.. yah begitulah,... industri banget tapi lumayan kok buat tontonan... sebuah drama rasa horror.. :)</description>
<guid isPermaLink="true">http://qubrick.multiply.com/video/item/10/Trailer_Hantu_Jembatan_Ancol</guid>
<pubDate>Tue, 1 Jan 2008 10:34:15 -0000</pubDate>
</item>

<item>
<title>Missread - Kings of Convenience, ..</title>
<description>&#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=5&#x3E;some genius of them...&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;A href=&#x22;http://qubrick.multiply.com/photos/hi-res/upload/RwNaxQoKClAAACLWedI1&#x22;&#x3E;&#x3C;IMG class=alignleft src=&#x22;http://images.qubrick.multiply.com/image/1/photos/upload/300x300/RwNaxQoKClAAACLWedI1/KOC_pic.jpg?et=3zMsolkb0aswoPpfIPLhuw&#x22; border=0&#x3E;&#x3C;/A&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;Kings of Convenience are an indie folk-pop duo from Bergen, Norway. Consisting of Erlend &#xD8;ye and Eirik Glambek B&#xF8;e, the musical group is known for their delicate tunes, calming voices, and intricately subtle guitar melodies. Both &#xD8;ye and B&#xF8;e sing in their tracks, and both of them compose.untill now, they are still in independent lable for their music.. and I really2 like all of their songs..&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;/STRONG&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;/STRONG&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;/STRONG&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;/STRONG&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;Missread&#x3C;/STRONG&#x3E;, a single from the last album..and a flick story about a friends.. in this case, i realy2 love their video clips.. this is another long track shot record..full of long track and a reality scene is true there.. there is a crew that bring some chairs for erlan and eirik.. really2 beautifull.. enjoy this video clips..i don&#x27;t know who te director of this video clip, but &#x26;nbsp;:) enjoy one long track shot of full video clip..&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E; &#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;A href=&#x22;http://cache.googlevideo.com/get_video?video_id=2emj7HXv6Ic&#x22;&#x3E;&#x3C;STRONG&#x3E;Download this Film&#x3C;/STRONG&#x3E;&#x3C;/A&#x3E;&#x26;nbsp;(don&#x27;t forget to save as .FLV files and rename of get_video name of file name that you...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/40/Missread_-_Kings_of_Convenience_..</guid>
<pubDate>Wed, 3 Oct 2007 09:04:32 -0000</pubDate>
</item>

<item>
<title>Ten Minutes Older - extreme compilation :)</title>
<description>&#x3C;FONT size=5&#x3E; Ten Minutes Older &#x3C;/FONT&#x3E; &#x3C;P&#x3E;Ten Minutes Older&#x26;nbsp; the great film&#x26;nbsp;compilation in 2002,&#x26;nbsp;that a lot of cool and spartan directors directed there in each episode. There is 2 segment of this filn, The Trumpet and The Ciello.&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;IMG class=alignmiddle src=&#x22;http://images.qubrick.multiply.com/image/1/photos/upload/300x300/RvKbDAoKClAAAFQWxRE1/tenMinutesOlder.jpg?et=Lrgcxl%2CjayvrBYv0yF26JA&#x22; border=0&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;The Ciello&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;A href=&#x22;http://qubrick.multiply.com/photos/hi-res/upload/RvKbUAoKClAAAFr1Fg41&#x22;&#x3E;&#x3C;IMG class=alignleft src=&#x22;http://images.qubrick.multiply.com/image/1/photos/upload/300x300/RvKbUAoKClAAAFr1Fg41/the_ciello.jpg?et=kmv71FtBebTWcmYYlgmArQ&#x22; border=0&#x3E;&#x3C;/A&#x3E;&#x3C;A href=&#x22;http://qubrick.multiply.com/photos/hi-res/upload/RvKbDAoKClAAAFQWxRE1&#x22;&#x3E;&#x3C;/A&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;Eight master directors of world cinema combine forces for this omnibus film that focuses cumulatively on the subject of time. Bookended by cello interludes, Ten Minutes Older: The Cello presents just one parameter to each of its filmmakers: no final entry can be more or less than ten minutes long. The resulting films run the gamut of styles and moods, beginning with Bernardo Bertolucci&#x27;s Histoire d&#x27;Eaux, which presents an Indian fable about a mentor&#x27;s impatience. In Mike Figgis&#x27; entry About Time 2, the director continues with the experimental structure he pioneered in Timecode; similarly, Jean-Luc Godard uses his time allotment to present a fractured series of clips on youth, death, and love. Another non-narrative entry, Volker Schl&#xF6;ndorff&#x27;s The Enlight...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/39/Ten_Minutes_Older_-_extreme_compilation_</guid>
<pubDate>Tue, 25 Sep 2007 14:23:16 -0000</pubDate>
</item>

<item>
<title>EROS - a tryptich about eroticism</title>
<description>&#x3C;P&#x3E;&#x3C;FONT size=5&#x3E;&#x3C;STRONG&#x3E;Eros&#x3C;/STRONG&#x3E; &#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;A href=&#x22;http://qubrick.multiply.com/photos/hi-res/upload/RvaYhQoKClAAAHHGatU1&#x22;&#x3E;&#x3C;IMG class=alignleft src=&#x22;http://images.qubrick.multiply.com/image/1/photos/upload/300x300/RvaYhQoKClAAAHHGatU1/eros_poster.jpg?et=w4PJcs8uZO1YrDTh2QRi4w&#x22; border=0&#x3E;&#x3C;/A&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;is a triptych about eroticism and desire by directors Wong Kar Wai, Steven Soderbergh and Michelangelo Antonioni. The film also serves as an homage by the two younger directors to Antonioni, who has informed and inspired their work. &#x3C;/P&#x3E; &#x3C;P&#x3E;Three directors from disparate cultures put love and sexuality under the spotlight. Wong Kar Wai&#x27;s &#x3C;EM&#x3E;The Hand&#x3C;/EM&#x3E; stars Gong Li as a 1960s high-end call girl in an impossible love affair with her tailor. Steven Soderbergh&#x27;s &#x3C;EM&#x3E;Equilibrium&#x3C;/EM&#x3E; stars Robert Downey, Jr. as an advertising executive under enormous pressure at work. During visits to his psychiatrist (Alan Arkin), they delve into the possible reasons why his stress seems to manifest itself in a recurring erotic dream. Michelangelo Antonioni&#x27;s &#x3C;EM&#x3E;The Dangerous Thread of Things&#x3C;/EM&#x3E; is the story of a m&#xE9;nage-a-trois between a couple and a young woman on the coast of Tuscany.&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x22;For me the experience of shooting &#x3C;EM&#x3E;The Hand&#x3C;/EM&#x3E; was a very intense and intimate one. We began to work on the project in 2003, during the SARS ep...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/38/EROS_-_a_tryptich_about_eroticism</guid>
<pubDate>Tue, 25 Sep 2007 14:15:48 -0000</pubDate>
</item>

<item>
<title>Building no.7 - Steven Soderbergh experimental</title>
<description> &#x3C;P&#x3E;Steven Andrew Soderbergh, who directed Oceans eleven, until thirteen, sex lies and videotape also alot of another features fiction.. now has shot his experimental film by himself.&#x3C;/P&#x3E; &#x3C;P&#x3E;Building no.7 , a short experimental film created by soderbergh. homage to Godards Alphaville, soderbergh created the true vision about film and video itself&#x26;nbsp;and assuming about video like histoires Du Cinema project, Soderbergh try to make the argument with his eye about godard... :) some silly point from soderbergh maybe.. for me .. it&#x27;s a silly point.. but enjoy this.. Building no.7.&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x26;nbsp;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;/P&#x3E;&#x3C;STRONG&#x3E;&#x3C;A href=&#x22;http://cache.googlevideo.com/get_video?video_id=ErwpFH3AHws&#x22;&#x3E;Download this Film&#x3C;/STRONG&#x3E;&#x3C;/A&#x3E;&#x26;nbsp;(don&#x27;t forget to save as .FLV files and rename of get_video name of file name that you download ..)  &#x3C;P&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;enjoy.. :)&#x3C;/P&#x3E;</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/37/Building_no.7_-_Steven_Soderbergh_experimental</guid>
<pubDate>Tue, 25 Sep 2007 14:13:59 -0000</pubDate>
</item>

<item>
<title>Vincent - 1982 Tim Burton Masterpiece</title>
<description> &#x3C;P&#x3E;Vincent visualizes his nightmarish fantasies: his aunt dipped in wax, his beautiful wife buried alive, and his dog Abacrombie transformed into a horrible zombie. But at every turn he is reminded by his mother that, &#x201C;You&#x2019;re not Vincent Price, you&#x2019;re Vincent Malloy. You&#x2019;re not tormented, you&#x2019;re just a young boy.&#x201D; The film ends with a tongue-in-cheek citation of Poe&#x2019;s &#x201C;The Raven&#x201C;: &#x201C;And my soul from out that shadow that lies floating on the floor, Shall be lifted . . .Nevermore!&#x201D; Thus, in a humorous way, the boy Vincent shares with the protagonist of the poem&#x2013;the student trying to forget his lost Lenore&#x2013;what Poe himself described as the &#x201C;human thirst for self torture . . the luxury of sorrow,&#x201D; as he melodramatically indulges his dark fantasies. Vincent is for Burton the same sort of indulgence, a chance to represent himself on the screen as the tortured boy/outsider/artist. He characterizes Vincent as an artist by associating him with both the easel and the quill pen. Isolated and misunde...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/36/Vincent_-_1982_Tim_Burton_Masterpiece</guid>
<pubDate>Tue, 25 Sep 2007 14:12:09 -0000</pubDate>
</item>

<item>
<title>behind the shutter</title>
<description>Photo taken from the making of Lowongan Pekerjaan, short films productions by KOPI Production, Surabaya Scene, &#x26; Butterfly Films and directed by Mbek. 
This photo taken and retouch by MOKS theDOP.. this is some diverse of photo viewing video camera... the objection of reflectivity and reality.
MOKS with his new semipro camera NIKON D40 , trying catch his future on it.

this photo is taken from the last scene making of this film,  which is the director  try to enrole himself with reality of long take. Full of  5 minutes long take shot taken by Lembeng with his ability of catching the drama of itself. Some scene were a lot of blocking progress also alot of practise among us..

This photo is avaiable also  on www.painlessick.deviantart.com

MOKS the artof.. cheers</description>
<guid isPermaLink="true">http://qubrick.multiply.com/photos/album/8/behind_the_shutter</guid>
<pubDate>Tue, 18 Sep 2007 16:13:01 -0000</pubDate>
</item>

<item>
<title>video Art.. :)</title>
<description>&#x3C;P&#x3E;untuk seorang teman di Surabaya yang kemarin kirim sms dan menanyakan bagaimana dan apa sebenarnya hirarki video art.. yang jelas, video art adalah karya seni yang menggunakan video sebagai medium penyampaiannya.. untuk lebih jelasnya ini ada sebuah artikel pasti tentang video art itu sendiri&#x26;nbsp;semoga bisa membantu :)&#x26;nbsp;enjoy bro !!!&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=5&#x3E;Video Art&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;B&#x3E;Video art&#x3C;/B&#x3E; is a type of &#x3C;A title=Art href=&#x22;http://en.wikipedia.org/wiki/Art&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;art&#x3C;/FONT&#x3E;&#x3C;/A&#x3E; which relies on &#x3C;A title=&#x22;Moving pictures&#x22; href=&#x22;http://en.wikipedia.org/wiki/Moving_pictures&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;moving pictures&#x3C;/FONT&#x3E;&#x3C;/A&#x3E; and is comprised of &#x3C;A title=Video href=&#x22;http://en.wikipedia.org/wiki/Video&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;video&#x3C;/FONT&#x3E;&#x3C;/A&#x3E; and/or &#x3C;A title=&#x22;Sound reproduction&#x22; href=&#x22;http://en.wikipedia.org/wiki/Sound_reproduction&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;audio&#x3C;/FONT&#x3E;&#x3C;/A&#x3E; data. (It should not however be confused with &#x3C;A title=Television href=&#x22;http://en.wikipedia.org/wiki/Television&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;television&#x3C;/FONT&#x3E;&#x3C;/A&#x3E; or &#x3C;A title=&#x22;Experimental film&#x22; href=&#x22;http://en.wikipedia.org/wiki/Experimental_film&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;experimental cinema&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;). Video art came into existence during the &#x3C;A title=1960s href=&#x22;http://en.wikipedia.org/wiki/1960s&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;1960s&#x3C;/FONT&#x3E;&#x3C;/A&#x3E; and &#x3C;A title=1970s href=&#x22;http://en.wikipedia.org/wiki/1970s&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;1970s&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;, is still widely practiced and has given rise to the widespread use of &#x3C;A title=&#x22;Video installation&#x22; href=&#x22;http://en.wikipedia.org/wiki/Video_installation&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;video installations&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;.&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=5&#x3E;Overview&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E;&#x3C;FONT size=2&#x3E; &#x3C;P&#x3E;Video art is named after the &#x3C;A title=&#x22;Video tape&#x22; href=&#x22;http://en.wikipedia.org/wiki/Video_tape&#x22;&#x3E;&#x3C;FONT color=#800080&#x3E;video tape&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;, which was most commonly used in the form&#x27;s early years, but before that artists had already been working on film, and with changes in technology &#x3C;A title=&#x22;Hard Disk&#x22; href=&#x22;http://en.wikipedia.org/wiki/Hard_Disk&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;Hard Disk&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;, &#x3C;A title=CD-ROM href=&#x22;http://en.wikipedia.org/wiki/CD-ROM&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;CD-ROM&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;, &#x3C;A title=DVD href=&#x22;http://en.wikipedia.org/wiki/DVD&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;DVD&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;, and &#x3C;A title=&#x22;Solid state (electronics)&#x22; href=&#x22;http://en.wikipedia.org/wiki/Solid_state_%28electronics%29&#x22;&#x3E;&#x3C;FONT color=#0000ff&#x3E;solid state&#x3C;/FONT&#x3E;&#x3C;/A&#x3E; are superseding the video tape as the carrier. Despite obvious parallels and relatio...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/31/video_Art.._</guid>
<pubDate>Tue, 18 Sep 2007 15:20:41 -0000</pubDate>
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<title>Cintapuccino: Lampu  merah buat Rudi !</title>
<description>&#x3C;P&#x3E;Setelah menonton film yang cukup bikin marah ini, aku mencari tulisan yang searah dengan pikiran aku.. dan ternyata ADA !... berarti memang begitu adanya komentar tentang film ini &#x3C;/P&#x3E; &#x3C;P&#x3E;ini tulisan dari seorang teman di rumahfilm.org .. dan saya sangat setuju dengan apa yang tertuangkan di tulisan ini, karena semakin banyak pembunuhan kreatifitas yang aku rasakan dan yah kita lihat aja bagaimana selanjutnya.. :)&#x3C;/P&#x3E; &#x3C;IMG src=&#x22;http://rumahfilm.org/images/cintapuccino02.gif&#x22;&#x3E;  &#x3C;P class=title&#x3E;&#x3C;A name=cintapuccino&#x3E;&#x3C;FONT color=#000000&#x3E;&#x3C;EM&#x3E;Cintapuccino&#x3C;/EM&#x3E;:&#x3C;BR&#x3E;Lampu Merah Buat Rudi&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;&#x3C;BR&#x3E;&#x3C;FONT class=content1 size=2&#x3E;oleh Hikmat Darmawan&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P class=content&#x3E;Dalam film remaja tapi bertokoh &#x201C;dewasa&#x201D; ini, bertebar dialog macam begini:&#x3C;BR&#x3E;&#x201D;Siapa sih &#x3C;EM&#x3E;elo&#x3C;/EM&#x3E;?&#x201D;&#x3C;BR&#x3E;&#x201D;Apa sih mau &#x3C;EM&#x3E;elo&#x3C;/EM&#x3E;?&#x201D;&#x3C;/P&#x3E; &#x3C;P class=content&#x3E;Saya gatal sekali ingin menambahi kata &#x201D;Rud&#x201D; pada dua macam kalimat itu. Jadi, begini: &#x201D;Siapa sih, &#x3C;EM&#x3E;elo&#x3C;/EM&#x3E;, Rud?&#x201D;; atau, &#x201D;Apa sih mau &#x3C;EM&#x3E;elo&#x3C;/EM&#x3E;, Rud?&#x201D; Menonton &#x3C;EM&#x3E;Cintapuccino&#x3C;/EM&#x3E;, saya memang gatal sekali ingin bertanya demikian kepada sang sutradara, Rudi Soedjarwo. Saya heran, sutradara yang dengan gagah pernah berteriak di mimbar FFI, &#x201C;Selama saya masih berdiri, film Indonesia tak akan mati!&#x201D; ini kok bisa-bisanya menghasilkan film ...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/30/Cintapuccino_Lampu_merah_buat_Rudi_</guid>
<pubDate>Tue, 18 Sep 2007 14:37:37 -0000</pubDate>
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<title>Man With The Movie Camera - 1929 Dziga Vertov masterpiece</title>
<description>&#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=5&#x3E;Man With The Movie Camera - 1929 Dziga Vertov masterpiece&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;Soviet Union 1929. Production Company: Vufku. Director: Dziga Vertov. Photography: Mihail Kaufman. Editing: Dziga Vertov, Jelizaveta Svilova&#x3C;/P&#x3E; &#x3C;P&#x3E;Dziga Vertov, one of many film icons that famouses as Sergei Eisesnstein breaking the documentary movement on his first breaktrough. The Director who known with the theory about taking picture and then write the story after the picture taken.&#x3C;/P&#x3E; &#x3C;P&#x3E;in This film he talk much about life and society of life in his own velocity.. enjoy this part..&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;STRONG&#x3E;Part 1&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;BR&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P align=center&#x3E;&#x3C;STRONG&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P align=left&#x3E;&#x3C;STRONG&#x3E;Part 2&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P align=left&#x3E;&#x3C;BR&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P align=center&#x3E;&#x3C;STRONG&#x3E; &#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P align=left&#x3E;&#x3C;A href=&#x22;http://cache.googlevideo.com/get_video?video_id=AInQ1x5_r3o&#x22;&#x3E;&#x3C;STRONG&#x3E;Download Part 1&#x3C;/STRONG&#x3E;&#x3C;/A&#x3E;&#x3C;STRONG&#x3E;&#x26;nbsp;| &#x3C;/STRONG&#x3E;&#x3C;A href=&#x22;http://cache.googlevideo.com/get_video?video_id=PZAVMaXdR0k&#x22;&#x3E;&#x3C;STRONG&#x3E;Download Part 2&#x3C;/STRONG&#x3E;&#x3C;/A&#x3E;&#x3C;/P&#x3E; &#x3C;P align=left&#x3E;(don&#x27;t forget to save as .FLV files and rename of get_video name of file name that you download ..)&#x3C;/P&#x3E;</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/29/Man_With_The_Movie_Camera_-_1929_Dziga_Vertov_masterpiece</guid>
<pubDate>Mon, 10 Sep 2007 15:49:01 -0000</pubDate>
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<title>Godard&#x27;s Weekend - 400 feet full Shot</title>
<description>&#x3C;P&#x3E;&#x3C;STRONG&#x3E;&#x3C;FONT size=5&#x3E;Weekend - 1967 Godard masterpiece&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;JeanLuc Godard, alone FilmMaker that always make his own cinematic law being full of confidence to bring the reality Ideology in his film,Weekend. The famous 400feet full long track shot is very amazing.. this is those long shot that titled Action Musicale in that film.. &#x3C;/P&#x3E; &#x3C;P&#x3E;this scene also called crossing the farm.. simple talk about different music and how godard very impression with mozart and he bring it on that scene just like an anecdot,... if we seen this scene.. just see there a lot of directing but it also came with a reality of life.. sound of dialogue is present alot of pictures and it&#x27;s only a dialoge the piano player with his beautiful lady who being attracted with his piano playing..&#x3C;/P&#x3E; &#x3C;P&#x3E;actually in vivre sa vie, Godard do his long track shot too&#x26;nbsp;but in weekend, this long shoot is very impression with itself explanation and see the music background, the polyphonic tones, and every camera stop there always a message that Godard try to tell a...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/28/Godards_Weekend_-_400_feet_full_Shot</guid>
<pubDate>Mon, 10 Sep 2007 14:45:05 -0000</pubDate>
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<title>La JeTee - 1961 chrisMarker masterpiece</title>
<description>&#x3C;STRONG&#x3E;&#x3C;FONT size=5&#x3E;La JeTee - 1961 chris Marker masterpiece&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E; &#x26;nbsp; &#x22;Nothing tells memories from ordinary moments, only afterwards do they claim rememberance on account of their scars.&#x22;&#x3C;BR&#x3E;&#x3C;BR&#x3E;A short film that is a reflection about time, happiness and love, entirely composed of b&#x26;amp;w static shots. La Jetee, is one of the most enigmatic and thought provoking science fiction films ever made.&#x3C;BR&#x3E;The original French version should be available around here, but the English narrator got something captivating and laconic in his voice, too. &#x26;nbsp; 12 Monkeys is the remake for this film... that&#x27;s claimed&#x26;nbsp;from the diector of 12Monkeys.. but for me, Ted not sure bout his apreciation of La Jetee and 12Monkeys just a sensations that hollywood viewing his capability of a giant blockbuster.. coz, in La Jetee, we&#x27;ve seen a lot of fantasi and reality labyrinth .. and also a depth message from chrisMarker for viewing his capability of it&#x27;s own story... un Photo Roman.. that statement is dept and more deep if we called a film i...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/27/La_JeTee_-_1961_chrisMarker_masterpiece</guid>
<pubDate>Mon, 10 Sep 2007 14:03:30 -0000</pubDate>
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<title>Wikiversity Lesson : Theory of Film Scoring -3</title>
<description>&#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=3&#x3E;artikel ini diambil dari wikiversity, untuk seorang teman yang mau mempelajari scoring film .. :)&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp;&#x3C;BIG&#x3E;&#x3C;BIG&#x3E; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;A class=image title=&#x22;Crystal Clear app kfm home.png&#x22; href=&#x22;http://en.wikiversity.org/wiki/Image:Crystal_Clear_app_kfm_home.png&#x22;&#x3E;&#x3C;IMG height=50 alt=&#x22;&#x22; src=&#x22;http://upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Crystal_Clear_app_kfm_home.png/50px-Crystal_Clear_app_kfm_home.png&#x22; width=50 border=0&#x3E;&#x3C;/A&#x3E;&#x3C;FONT size=5&#x3E; &#x3C;FONT color=black&#x3E;Creating moods using individual musical notes&#x3C;/FONT&#x3E;&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=5&#x3E;&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp;&#x3C;BIG&#x3E;&#x3C;BIG&#x3E;   &#x3C;FONT size=3&#x3E;Single notes &#x3C;/FONT&#x3E; &#x3C;FONT size=3&#x3E;Some of the instruments of a symphony orchestra create a mood when you play even a single note. &#x3C;/FONT&#x3E;    &#x3C;FONT size=3&#x3E;That means all you have to do is play a single note to create a film score. &#x3C;/FONT&#x3E;   &#x3C;FONT size=3&#x3E;Wow! Even filmmakers who are &#x3C;B&#x3E;not&#x3C;/B&#x3E; musicians can do that. &#x3C;/FONT&#x3E;   &#x3C;FONT size=3&#x3E;Example &#x3C;/FONT&#x3E;  &#x3C;FONT size=3&#x3E;You can create the sound of fear by playing a violin trill. At a certain pitch, the violin trill sounds really scary. &#x3C;/FONT&#x3E;   &#x3C;FONT size=3&#x3E;The purpose of this lesson &#x3C;/FONT&#x3E;  &#x3C;FONT size=3&#x3E;The purpose of this lesson is to show you that you can create a film score just by playing a single note... if you use the right musical instruments. &#x3C;/FONT&#x3E; &#x3C;H2&#x3E;&#x3C;FONT size=3&#x3E;The Sound of Fear&#x3C;/FONT&#x3E;&#x3C;/H2&#x3E;  &#x3C;FONT size=3&#x3E;Creating moods with individual notes &#x3C;/FONT&#x3E; &#x3C;P&#x3E;&#x3C;FONT size=3&#x3E;The texture of the sound of certain musical instruments automatically creates a mood. You don&#x27;t have to do anything special. Just play that one note.&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;BR&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E;  &#x3C;FONT size=3&#x3E;&#x22;It gives me a trill!&#x22; &#x3C;/FONT&#x3E; &#x3C;P&#x3E;&#x3C;FONT size=3&#x3E;A trill is a special musical sound c...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/26/Wikiversity_Lesson_Theory_of_Film_Scoring_-3</guid>
<pubDate>Wed, 5 Sep 2007 15:42:58 -0000</pubDate>
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<title>Wikiversity Lesson : Theory of Film Scoring -2</title>
<description>&#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=3&#x3E;artikel ini diambil dari wikiversity, untuk seorang teman yang mau mempelajari scoring film .. :)&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp;&#x3C;BIG&#x3E;&#x3C;BIG&#x3E; &#x3C;H2 align=left&#x3E;What is narrative music?&#x3C;/H2&#x3E;   There are many kinds of music in a motion picture but narrative music is the most fun.   &#x3C;B&#x3E;Narrative Music&#x3C;/B&#x3E; simply means &#x3C;B&#x3E;&#x22;music which tells a story&#x22;&#x3C;/B&#x3E;.   Before we begin, you must understand what is narrative music and how it differs from other kinds of music such as background music and songs.  &#x3C;A class=image title=&#x22;Crystal Clear app aim3.png&#x22; href=&#x22;http://en.wikiversity.org/wiki/Image:Crystal_Clear_app_aim3.png&#x22;&#x3E;&#x3C;IMG height=128 alt=&#x22;&#x22; src=&#x22;http://upload.wikimedia.org/wikipedia/commons/d/dd/Crystal_Clear_app_aim3.png&#x22; width=128 border=0&#x3E;&#x3C;/A&#x3E;&#x3C;A id=Narrative_music_is_the_most_important_music name=Narrative_music_is_the_most_important_music&#x3E;&#x3C;/A&#x3E; &#x3C;H2&#x3E;Narrative music is the most important music&#x3C;/H2&#x3E;  &#x3C;B&#x3E;Just another actor&#x3C;/B&#x3E;  Narrative music is like another &#x3C;B&#x3E;actor&#x3C;/B&#x3E; in the movie. Narrative music is like the &#x3C;B&#x3E;announcer&#x3C;/B&#x3E; for a movie. Narrative music tells the audience what mood they should feel. Without narrative music, the audience might not know how to feel. The audience needs someone to guide them.  &#x3C;A class=image title=&#x22;Crystal Clear app clock.png&#x22; href=&#x22;http://en.wikiversity.org/wiki/Image:Crystal_Clear_app_clock.png&#x22;&#x3E;&#x3C;IMG height=128 alt=&#x22;&#x22; src=&#x22;http://upload.wikimedia.org/wikipedia/commons/1/12/Crystal_Clear_app_clock.png&#x22; width=128 border=0&#x3E;&#x3C;/A&#x3E;&#x3C;A id=How_long_is_narrative_music.3F name=How_long_is_narrative_music.3F&#x3E;&#x3C;/A&#x3E; &#x3C;H3&#x3E;How long is narrative music?&#x3C;/H3&#x3E;  Narrative music has an average length of 3 seconds but each theme can be as short as one second or as long as ten seconds. Often narrative music will be linked together to make a single, lon...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/25/Wikiversity_Lesson_Theory_of_Film_Scoring_-2</guid>
<pubDate>Wed, 5 Sep 2007 15:26:43 -0000</pubDate>
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<title>Wikiversity Lesson : Theory of Film Scoring -1</title>
<description>&#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=3&#x3E;artikel ini diambil dari wikiversity, untuk seorang teman yang mau mempelajari scoring film .. :)&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;A class=image title=&#x22;Crystal Clear app kfm home.png&#x22; href=&#x22;http://en.wikiversity.org/wiki/Image:Crystal_Clear_app_kfm_home.png&#x22;&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;IMG height=50 alt=&#x22;&#x22; src=&#x22;http://upload.wikimedia.org/wikipedia/commons/thumb/d/d8/Crystal_Clear_app_kfm_home.png/50px-Crystal_Clear_app_kfm_home.png&#x22; width=50 border=0&#x3E;&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;&#x3C;FONT size=3&#x3E; &#x3C;FONT color=black&#x3E;Creating music for narrative motion picture&#x3C;/FONT&#x3E;&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E; &#x3C;BIG&#x3E;&#x3C;BIG&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;/FONT&#x3E;&#x3C;/BIG&#x3E;&#x3C;/BIG&#x3E;&#x26;nbsp;&#x3C;BIG&#x3E;&#x3C;BIG&#x3E; &#x3C;A class=image title=&#x22;Nuvola apps edu miscellaneous.png&#x22; href=&#x22;http://en.wikiversity.org/wiki/Image:Nuvola_apps_edu_miscellaneous.png&#x22;&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;IMG height=128 alt=&#x22;&#x22; src=&#x22;http://upload.wikimedia.org/wikipedia/commons/5/52/Nuvola_apps_edu_miscellaneous.png&#x22; width=128 border=0&#x3E;&#x3C;/FONT&#x3E;&#x3C;/A&#x3E;&#x3C;A id=Why_is_there_music_in_motion_pictures.3F name=Why_is_there_music_in_motion_pictures.3F&#x3E;&#x3C;/A&#x3E;  &#x3C;H2&#x3E;&#x3C;FONT size=3&#x3E;Why is there music in motion pictures?&#x3C;/FONT&#x3E;&#x3C;/H2&#x3E; &#x3C;FONT size=3&#x3E;Here is why you need music in motion pictures:&#x3C;/FONT&#x3E;  &#x3C;UL&#x3E; &#x3C;LI&#x3E;&#x3C;FONT size=3&#x3E;The actor&#x27;s words do &#x3C;B&#x3E;not&#x3C;/B&#x3E; clearly explain the emotions of a scene. &#x3C;/FONT&#x3E;&#x3C;/LI&#x3E;&#x3C;/UL&#x3E;  &#x3C;FONT size=3&#x3E;Often what an actor says is the opposite of what the director wants the audience to feel. &#x3C;/FONT&#x3E; &#x3C;UL&#x3E; &#x3C;LI&#x3E;&#x3C;FONT size=3&#x3E;Similarly, visual images do &#x3C;B&#x3E;not&#x3C;/B&#x3E; tell the audience what to feel. Even horror movies have very beautiful visual images. &#x3C;/FONT&#x3E;&#x3C;/LI&#x3E;&#x3C;/UL&#x3E; &#x3C;UL&#x3E; &#x3C;LI&#x3E;&#x3C;FONT size=3&#x3E;Therefore, the mood of a motion picture comes from the music. &#x3C;/FONT&#x3E;&#x3C;/LI&#x3E;&#x3C;/UL&#x3E; &#x3C;UL&#x3E; &#x3C;LI&#x3E;&#x3C;FONT size=3&#x3E;Music gives the story more details and impact. &#x3C;/FONT&#x3E;&#x3C;/LI&#x3E;&#x3C;/UL&#x3E; &#x3C;UL&#x3E; &#x3C;LI&#x3E;&#x3C;FONT size=3&#x3E;The music explains the emotions that the audience should feel. &#x3C;/FONT&#x3E;&#x3C;/LI&#x3E;&#x3C;/UL&#x3E; &#x3C;UL&#x3E; &#x3C;LI&#x3E;&#x3C;FONT size=3&#x3E;Music can even narrate the story. &#x3C;/FONT&#x3E;&#x3C;/LI&#x3E;&#x3C;/UL&#x3E; &#x3C;H2&#x3E;&#x3C;FONT size=3&#x3E;&#x3C;STRONG&#x3E;Why use a symphony orchestra?&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/H2&#x3E;  &#x3C;FONT size=3&#x3E;Something special for filmmakers &#x3C;/FONT&#x3E; &#x3C;FONT size=3&#x3E;There is something special about a symphony orchestra. &#x3C;/FONT&#x3E;  &#x3C;FONT size=3&#x3E;Filmmakers do not need to be professional musicians. All filmmakers need do is create moods for a motion picture. &#x3C;/FONT&#x3E;  &#x3C;FONT size=3&#x3E;You don&#x27;t need ...</description>
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<pubDate>Wed, 5 Sep 2007 15:16:53 -0000</pubDate>
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<item>
<title>Composing for the films</title>
<description>&#x3C;P&#x3E;&#x26;nbsp; &#x3C;BR&#x3E;&#x3C;FONT size=5&#x3E;&#x3C;STRONG&#x3E;&#x27;Composing for the films&#x27; (1947): &#x3C;FONT size=3&#x3E;Adorno, Eisler and the sociology of music.(editor Theodor W. Adorno who collaborated with composer Hanns Eisler on the book &#x27;Composing for the Films&#x27;)&#x3C;/FONT&#x3E;&#x3C;/STRONG&#x3E;&#x3C;/FONT&#x3E;&#x3C;/P&#x3E; &#x3C;P&#x3E;Author/s: Martin Hufner&#x3C;/P&#x3E; &#x3C;P&#x3E;&#x3C;BR&#x3E;Composing/or the Films (Komposition far den Film) by Theodor Adorno and Harms Eisler has a title which distinguishes it from modern literature about the medium of film. It is not &#x27;film music&#x27; or &#x27;music and film&#x27;. The emphasis is on &#x27;composition&#x27;, clearly indicating that the content deals primarily with the question of writing music for a relatively new mass medium. It treats both the composer&#x27;s position towards society within the production process, as well as the actual work of composing for films. In Adorno-Eisler, the music always appears as something added on, no matter how well done from an artistic point of view.&#x3C;/P&#x3E; &#x3C;P&#x3E;If one looks at the contemporary literature dealing with film music, one will mostly find works with a practical orientation which examines the effect music ...</description>
<guid isPermaLink="true">http://qubrick.multiply.com/journal/item/23/Composing_for_the_films</guid>
<pubDate>Wed, 5 Sep 2007 14:49:54 -0000</pubDate>
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